Tuesday, November 29, 2016

Book Review: The Problem with Forever by Jennifer L. Armentrout

Title: The Problem with Forever
Author: Jennifer L. Armentrout
Genre: Contemporary/Standalone
Publisher: Harlequin Teen
Rating: 4.5 Stars

The Problem with Forever by Jennifer L. Armentrout
Amazon | Book Depository | Barns & Noble | Harlequin Teen | Books.A.Millon | Goodreads
Eyes glances over me, some lingering and some moving on as if the didn't even notice me standing there,
which was okay in a way, because I was used to being invisible.

But I wan't supposed to be invisible anymore.

For some people, silence is a weapon. For Mallory “Mouse” Dodge, it’s a shield. Growing up, she learned that the best way to survive was to say nothing. And even though it’s been four years since her nightmare ended, she’s beginning to worry that the fear that holds her back will last a lifetime.

Now, after years of homeschooling with loving adoptive parents, Mallory must face a new milestone—spending her senior year at public high school. But of all the terrifying and exhilarating scenarios she’s imagined, there’s one she never dreamed of—that she’d run into Rider Stark, the friend and protector she hasn’t seen since childhood, on her very first day.

It doesn’t take long for Mallory to realize that the connection she shared with Rider never really faded. Yet the deeper their bond grows, the more it becomes apparent that she’s not the only one grappling with the lingering scars from the past. And as she watches Rider’s life spiral out of control, Mallory faces a choice between staying silent and speaking out—for the people she loves, the life she wants, and the truths that need to be heard.

My Review


First off, my full reaction of this book was that it was amazing! I don't read a lot of contemporary romances, but I loved this one! Armentrout, the queen of romance herself, has done it again! Everyone alive should read this book, it was that good! I have previously read Armentrout's Lux series, but it was so long ago, I completely forgot how exquisite she is with her writing style; truly exciting and refreshing. With ever new book she puts out, she gives her readers something new, and this one was no different. I like how in this one, Armentrout has focused on the difficult and almost taboo topic of foster care, because foster care which can be a hit or miss with most the books I've read. I also enjoyed seeing her classic romance style in action again, a long with the new characters and events/scenarios that took place in this one as well.

As stated before, most foster care that I've read are either a hit, or miss, for me. But with her writing style and creative out-looks, Armentrout took a very cliche topic and made it completely her own. This is a very heart-felt story that has changed my opinion on what all foster care books are like, and what to expect when reading one. This story will tough at your heartstrings, and at the same time send chills down your spine. And at other times will have you laughing out loud, or crying from mixed emotions and anger. The Problem With Forever has something for everyone to love, and an array of feels that might just leave you beat.

And just when you thought this book couldn't get any better, it did. I loved that characters Armentrout put into this story. All were very relatable and fun to see incorporated with this sensitive topic. Mallory, also known as Mouse, was an inspiring main character. She showed me that there is always light at the end of the tunnel, even when it seems like forever away and when monster lurk in the shadows. And don't even get me started with Rider. He was, as most of Armentrout's male characters are, perfect. I would date him in a heartbeat, if I could. He's such a sweet heart, but also has that bad-boy vibe too. Armentrout nailed it, I have never seen another author that can mix these to composts better to form the perfect boyfriend like she does. And I also loved all of Armentrout's side characters, they took this book to a whole new level. They really drought different tones and emotions into this story. And by having diverse characters, Armentrout made this book more fun and enjoyable for her readers.

Every Armentrout book that I have ever picked up, I've loved. And this one isn't a different story. The Problem With Forever is inspiring and heartfelt. Armentrout did an amazing job with this one, she made a true masterpiece. If you are already a fan of Armentrout, then you already know how wonderful her plot lines and writing style is. But if you haven't picked one of her book yet. I highly recommend you do, I promise you won't forget it! And I can't wait to see Armentrout has in store for me next.


Thursday, November 24, 2016

Cover Reveals Friday: Station Fosaan by Dee Garretson


Today Dee Garretson and Month9Books are revealing the cover and first chapter for STATION FOSAAN, which releases February 14, 2017! Check out the gorgeous cover and enter to be one of the first readers to receive a eGalley!!

A quick note from the author:
I’ve been a major science fiction fan ever since I discovered A WRINKLE IN TIME. When I moved on to watching STAR TREK every day after school, that hooked me. Spock was my first crush. I don’t know what that says about me. Maybe it was his pointy ears, because I’m very taken with the pointy eared elves in LORD OF THE RINGS too. It wasn't just Spock though. I loved all the strange new worlds. I was devastated the day my father told me that even once I grew up, there would be no Enterprise spaceships and I couldn’t be Lieutenant Uhura. I still remember how I wanted that communication earpiece, the miniskirt and the boots.

So you might say STATION FOSAAN is in response to that disappointment. I created my own science fiction world, which has been influenced not only by STAR TREK, but by STAR WARS and DUNE as well. And while it is a space adventure, it’s also a story of two people who find each other only to discover their lives may have to follow different paths. The essence of a story is always the characters. I love to create ones I’d want to know in real life. And like in real life, these characters face powerful forces who try to emphasize the differences between peoples rather than finding common ground. It’s a test to see what they choose. One of my favorite parts from the book is something that is also my personal motto: “We have to take chances. I have to take a chance. It’s time to go beyond the known.”

On to the reveal! 


Title: STATION FOSAAN
Author: Dee Garretson
Pub. Date: February 14, 2017
Publisher: Month9Books
Format: Paperback, eBook
Pages: 300
Find it: Goodreads | Amazon | B&N | TBD

Scientists and their families stationed on the remote planet of Fosaan were promised a tropical vacation-like experience. But Fosaan, devastated from an apocalyptic event nearly three-hundred years ago, is full of lethal predators and dangerous terrain.


Earthers are forbidden to go beyond the safety zone of their settlement and must not engage the remaining reclusive Fosaanians, native to the planet. Sixteen-year-old Quinn Neen is about to do both of those things.


During an unsanctioned exploration of the planet, Quinn discovers a beautiful Fosaanian girl named Mira stealing food from his family’s living unit. But before he can convince her to show him around, scientists are taken captive, leaving Quinn and the other young Earthers at the mercy of space raiders.


Quinn must go from renegade to leader and convince Mira to become an ally in a fight against an enemy whose very existence threatens their lives and the future of Earthers stuck on Fosaan and at home.



STATION FOSAAN is THE MYSTERIOUS ISLAND meets STAR TREK: THE WRATH OF KHAN. 


Excerpt


Chapter 1

When a civilization comes close to extinction, what emerges out of the ashes? On Fosaan, music did not, and art has turned to survival craft. Perhaps if I record what I know, some in the future will understand us better. The coming of the Earthers may be the end of us, and I do not want our memories to fade to ash. I may be giving myself too lofty a title, but for now I shall sign my musings,

Erimik, historian of the Clan

A flash in Fosaan’s sky distracted me from my work for a moment. If I hadn’t known better, I’d have thought a large ship just entered the atmosphere, but none were scheduled to land.

The flex wall rustled behind me. “Piper?” I said, not looking up from the display slip. One more minute and I would have the depiction of the snake-like creature completed, right down to the exact interlocking star pattern on the skin and the red speckling on the forelegs. Duplicating the vivid greenish yellow color would be trickier, but I had imaged it so there’d be a reference when I got down to mixing colors.

It was pure luck I had found a dead one on the walkway to study. I didn’t know what happened to the other deceased animals on Fosaan, but if the shrieks and howls that came from shore were any hint, I could guess. I’d just have to make sure I got rid of the thing before Piper got home. My younger sister hated seeing anything dead.

“Piper?” I turned around, but no one was in the unit. The rustling sound had moved into the kitchen.

Magellan squawked and flapped her wings from the window ledge, “Intruder Alert! Intruder Alert!”

Since the parrot said the same thing at every sound she didn’t recognize, I wasn’t too worried. “Mags, relax. It’s probably just an olon.” I got up and grabbed the stick I always used to shoo away the tiny nuisances. If I let one in, a whole flock of them would follow, perching on every available surface, chittering and staring as if expecting me to put on a show for them. Me, Quinn Neen, whose talents, such as they were, did not include entertaining anyone or anything. It was even worse when they brought in their latest catches from the sea, treating the floating living units like their own picnic area, dropping bones all over the floor.

Now that Mags felt like she had done her guard job, she lost interest. Balancing on one leg, she examined a talon on the other. “Beautiful toe,” she declared.

“Yes, you’ve told me before,” I said, knowing I’d never be able to convince the parrot a talon was not the same thing as a toe. I wasn’t sure she grasped the concept of “beautiful,” but she applied it more frequently to herself than anyone else. Leaving the bird to her talon inspection, I pushed aside the divider to get into the kitchen. No olons. No more rustling noise either, just the faint splash of the waves rocking the walkways that connected the individual living quarters. A gust of wind brought in the briny scent of the water, sharper smelling than the oceans of Earth. It overpowered the pine scent I had set on the room control, which I liked to use as a reminder of the pine forest reserve my grandmother managed on Earth. Another gust rattled the beads Piper had attached to her favorite house droid, but there were no other sounds. Maybe an olon had come and gone.

I turned to go back when a flash of white caught my eye. Startled, I dropped the stick and then tripped over it. A girl, a Fosaanian girl, stood clutching a wafer loaf to her chest, a cloud of long shimmery white hair quivering. In fact, all of her was shivering. She was soaked, water dripping off her. I could see her wet footprints all over the kitchen. Her silvery eyes held mine and I couldn’t think of a thing to say. I wasn’t usually so speechless around girls with incredible eyes, but I’d never encountered one I didn’t know in my own quarters.

“What are you doing?” I finally managed to croak, even though it was obvious she was taking the loaf, or more accurately, stealing the loaf. Fosaanians never came out onto the Earthers’ floating compound.

“I’m sorry,” the girl said, putting the loaf back on counter and edging to the door.

“No, wait!” I didn’t mean to shout, but my words came out too loud. The girl froze like I had issued an order, though I could tell she was ready to bolt. “It’s okay,” I said. “I mean, if you’re hungry, take it.” Picking the loaf up, I held it out to her, hoping it would convince her to stay for a little while. She would be the first Fosaanian I had talked to, if I could get her to talk. The small population of Fosaanians, the descendants of the few who had survived the planetary apocalypse, kept away from all of us Earthers, except for the ones who worked at the supply depot or who delivered the iridium sulfide. None of those could be called the least bit friendly.

She didn’t take the loaf, but she didn’t run either. Instead, she stood there looking around the room, clearly curious.

“I have an even better idea,” I said, trying to come up with one. “How about I fix us both something to eat? I’m hungry too.” The girl was too thin, but then all the Fosaanians I had seen were skinny. I assumed it was a Fosaanian physical trait that went along with their long fingers and thin necks, but now it occurred to me that if she was here to steal food maybe they weren’t getting enough to eat.

“The food, it is not for me,” the girl said. “My little sister, she had an accident and some of her teeth were damaged. It’s easier for her to eat soft food….” Her voice trailed off, and she clutched her hands together.

“You can take it. We have plenty. I’ll find some other stuff too.” I grabbed a carryall and opened the storage cabinet, looking for soft food. “Why doesn’t your sister just get replacement teeth?”

Her eyes widened. “You can replace teeth?”

“Sure, people do it all the time.” I had two replacements already, from running into a low bulkhead when I was trying to get some exercise during the long dull journey to Fosaan from Earth.

“How much do teeth cost?”

“I don’t know.” I found some milk bars and added them to the carryall. “Not much, probably.” I’d never even thought about it.

“If it costs as much as wafer bread, then it would be too much.” She sounded angry.

“Maybe not. I have a friend up on the space station in charge of inventory,” I told her. “I can ask him if they have some extra teeth. They probably do.”

Her eyes narrowed and she took a step back. “What would I have to do for them?”

“Nothing,” I said. I was struck by how suspicious she sounded. “My friend, Gregor, he isn’t too strict about things. Giving you some teeth for your sister isn’t going to break the budget of the station.” I knew Gregor would actually be pleased to do something that was outside the rules. He took so much pleasure in breaking military protocol, I sometimes wondered why he had signed up for more service after the mandatory enlistment was up.

An olon flew in and perched on a stool, folding its wings into small pleats and settling down like it intended to stay. I recognized it from its abnormal markings. Most olons had a bright green streak under each eye, but this one was missing the streak on the left. It was also the one who seemed to have an uncanny knack for knowing when food was out. “You’re not getting any of this,” I said to it. “Don’t be lazy. Go find your own food.” It hooted at me.

At the noise, Mags hopped into the room and then flew up and landed on the counter, flapping her wings and screeching, “Intruder Alert! Intruder Alert! Dog! Dog!” She hated the olons and “dog” was her word for anything she hated.

The olon just gazed at the parrot, not moving. “Easy, Mags,” I said, “It’s ‘olon’. ‘Olon.’”

“Dog!” Mags flapped her wings threateningly. “Man the weapons!” My father had taught Mags the weapons line, and he and I thought it hilarious, though my mother wasn’t crazy about the parrot threatening any guest the bird didn’t like. When the olon didn’t move, Mags added in some incoming missile sound effects to indicate she was extremely displeased.

“Calm down, Mags.” The olon didn’t appear perturbed at all by the parrot. It sidled to the edge of the stool, its attention totally focused on the wafer loaf.

“Your creature talks? You communicate with them?” the girl asked, her amazing eyes widening.

It took me a moment to answer; I was so caught up in looking at her. “Uh, no, I sort of communicate with Mags, but I just talk to the olons. They don’t understand me. It’s a habit when I’m by myself.” Now she would think I was strange. I’d only started talking to myself once we’d arrived. There were fifteen other younger Earthers onplanet and an assortment of scientists who came and went to the orbiting space station for their shifts, but we often got tired of each other. I spent most of the time working on my own projects.

The girl eyed the olon. “I’ve never seen one without two markings on the face,” she said. “I did see one once with double markings, but never just one.”

“I’d like to see one like that.” I was intrigued that she had noticed. Most people didn’t pay much attention to them. When I had first observed the marking and pointed it out to my friend Lainie, she had pretended to be interested, but the way she smiled made it clear she was just humoring me.

The olon hooted once more and then flew back out the window, like it had given up on the possibility of a handout.

“All clear!” Mags announced, using another of the military phrases my father favored. She began to preen herself. “Beautiful feathers.”

“Quinn!” Piper shouted from the walkway. The bells my little sister wore in her hair jangled crazily as she ran into the room. “Quinn, guess what? The shuttle landed but nobody was on it. Not mom, not anybody. Nobody knows why.” Piper skidded to a stop, noticing the girl. “Why is a Fosaanian here?” she demanded, her eyes wide.

“Um…She was out swimming,” I said, not wanting to explain the conversation about the bread. There were never simple explanations for Piper. Everything always led to another why. “I invited her in,” I added.

“Hello,” Piper said, moving closer to the girl and sniffing the air. “You don’t smell. My friend Lia says Fosaanians smell.”

“That’s rude, Piper. I’m sorry,” I said to the girl. I had heard the same rumor, that Fosaanians smelled like the sulfur permeating the atmosphere.

“I said she DIDN’T smell.” Piper glared at me. “It would be rude if I said she DID. What’s your name?”

“My name is Mira,” The girl answered almost in a whisper.

Piper reached out and patted Mira on the arm as if she was some shy creature. “Mira is a pretty name. Mine’s Piper. How old are you? I’m seven. Why do you have that funny mark on your face?”

The girl jerked back like the question shocked her. I didn’t understand her reaction, and after she didn’t respond, I said to Piper, “It’s a tattoo.” I didn’t think much about it because the small three-sided red mark on her check matched the ones on the two Fosaanians who worked at the station.

Mira’s lack of response didn’t stop Piper. “Why do all the Fosaanians have white hair? It makes everyone look old.” Piper moved closer like she was going to touch Mira’s hair.

“Piper!” Time to distract my sister before she did anything embarrassing. “What about the shuttle?” I asked.

“It landed without anybody on it, and nobody at the supply depot can talk to the space station. Is it true Fosaanian babies are born with black hair and then it turns white?”

Piper’s jumps in topics were hard to follow, and it took Mira some time to answer. “We all have white hair all along,” the girl said.

“That’s strange.” I was puzzled, not about the hair, but about the shuttle. There were always communication problems between the depot and the station because of the weird atmospheric components on Fosaan, and because of the frequent volcanic ash that spewed into the air from a nearby island, but I couldn’t think of a reason why the shuttle wouldn’t have anyone on it. “Maybe everyone decided to stay for a double shift. Mom said they were having problems with the newest version of the MIdroids.”

Piper shrugged. “Mick didn’t say anything.”

“What’s Mick doing about it?” I asked. Mick ran the depot, with the help of a few Fosaanians and some ancient droids he refused to replace. He was good with supplies and machines and droids, not so good with other people.

“He sent the second shift up. They’re supposed to report back.” Piper twisted her finger through her own hair, and the bells jingled softly. I knew the hair-twisting meant Piper was nervous.

“I’m sure they will,” I said to reassure her. I was about to go back to talking to Mira when I realized there was something odd about Piper’s last statement. “How are they going to report back if the link isn’t working?”

“I don’t know. Do all Fosaanians have such curly hair? I wish I did.”

“Piper, stop with the questions. You’re being nosy. Why don’t you see if you can get Mom on the comm here?” I suggested.

“Okay.” Piper darted out of the kitchen, and too late, I remembered what I had left on the work table.

Piper’s shriek came a second later. “Quinn! Disgusting! It’s dead! Get it away!”

“Sorry, Piper,” I said. The Fosaanian girl was edging for the door again. “Wait, don’t go yet. Maybe you could help me with something. It’s in here.” I didn’t want to let her go so I gestured towards the other room and walked out of the kitchen hoping she would follow me. She did, stopping in the doorway. I heard a sharp intake of breath.

When I turned around, the girl was staring wide-eyed around the room. “How is this possible?” she said, reaching out her hand to touch one of the holographic pine trees.

“Oh, I forgot,” I pointed at the scene setter on the table. “I had the scene set to be a pine forest. I really miss one I used to go to on Earth, so I like to set that surrounding when I work.”

“I didn’t know such things existed,” Mira said, kneeling down to touch the stream that ran around the chairs. I turned the sound up so the faint murmur of water came from it. The girl’s hand went into it and touched the floor. “This is amazing! It looks so real. I smell something strange too.”

“I’ve got it set to pine forest scent. I can switch it to something else if you like, flowers, or a camp fire. Do you want to see it snow?” I changed the scene to snowfall and immediately drifts appeared, covering most of the furniture. Holographic snowflakes fell from the ceiling, which had changed to the gray of a winter sky.

Mira lifted her hands out and smiled. “It’s cold! I have heard of snow, but I didn’t know it was cold.”

“Excuse me,” Piper said, standing by the work table with her hands on her hips, her face screwed up in disgust. “Does anyone besides me care that there is a dead thing here?”

“It’s okay, Piper.” I said. “It can’t hurt you. I meant to get rid of it before you got home.” I switched the snowfall back to the forest. The falling flakes were too distracting most of the time.

Piper stomped her foot. “Why do you have to drag stuff inside to depict it? Why can’t you just image things like normal people?”

“There’s no challenge to imaging it. Anybody can do that. Depicting objects sharpens a person’s power of observation.” I’d heard one of the tests to get into the reconnaissance corps training program measured how well the applicant could observe tiny details. “Besides, I needed to scan its measurements so I could record them.” We’d had this argument many times and I didn’t get why Piper couldn’t understand. It wasn’t like I kept the specimens around forever, though sometimes to tease her I pretended I’d accidentally lost one in her room. She fell for it every time.

The Fosaanian girl got up and walked over to the table, stepping around a moss-covered boulder that wasn’t really there. She looked down at the creature. “You didn’t kill this, did you?” she asked.

If I had been the type to lie, I would have told her I caught it barehanded as it ran past me. I was a terrible at lying though. “No, it was already dead when I found it.” I switched the room back to normal.

“I thought so. Most beings don’t survive getting close to an anguist.”

“I didn’t know,” I said, somewhat pleased I had managed to study something so lethal. “It’s called an anguist?”

“I don’t care what it’s called!” Piper wailed. “Just get it away!”

Since I was done with it anyway, and it was already starting to smell in the heat, I reached over to pick it up, intending to drop it out the window into the water.

“Wait!” The Fosaanian girl said. “How did you get it in here? Did you touch it?” She sounded horrified.

My hand froze. “Uh, yeah, I picked it up and brought it in. Why?” I asked, not sure I wanted to know the answer.

“How did you pick it up?”

I pictured how I had found the creature. “I picked it up behind the forelegs. Why?”

“They exude poison when they’re threatened, particularly from their tails.” Mira’s face showed the same alarm that her voice held. “It’s so lethal, it paralyzes you almost immediately.”

I couldn’t remember exactly where I had touched it. I’d moved it around a lot as I was measuring it. Was my hand feeling a little numb? I flexed my fingers. They still worked. “I feel fine. I guess I didn’t touch the poison part.” Good to know I hadn’t managed to paralyze myself. It had been idiotic of me not to think of that possibility. I knew there were dangerous life forms on Fosaan, and the Earthers were forbidden to go anywhere except the depot and the beach, but I hadn’t even imagined a small dead creature could hurt me.

“You shouldn’t just pick up what you find,” Mira said, putting her hands on hips just like Piper did. “There are many deadly animals and plants on Fosaan.”

At first I didn’t hear what she said. The amazing color of her eyes distracted me again. I had thought all Fosaanians had dull gray eyes.

“Quinn, didn’t you hear her? Deadly animals are a BAD thing,” Piper said.

“Um… I heard. Do you know how to identify them?” I asked the girl. She had just given me an idea.

“Of course I know,” she said, as if I were slightly dense. “I wouldn’t be alive if I didn’t.”

I tried to pick my words carefully so I could get her to go along with my idea. “Could you show me which ones are dangerous? I really want to know, because I’m making a guide.” Her expression grew more puzzled and I realized she didn’t understand, so I kept talking. “The life forms that survived the Apocalypse haven’t been completely logged, I mean logged by our people. If you helped me, I could make a real guide. We could work on it together. I’ve got some great recording equipment my friend on the space station lent me and I’ve made this capture device to get some of the smaller flying creatures, so I can observe them and then release them. I’ll show it to you…that is…if you want to see it....” Her face was expressionless, and I realized she might think it was all too boring.

Finally she said, “No…I don’t think my uncle would allow me to help you…I don’t know.”

Since it wasn’t a flat-out no, I persisted, “It wouldn’t take much time.”

“It’s not a good idea,” she said, sounding certain.

I slumped back against the table. At this rate, I’d never get the guide done before the deadline to submit my application to the reconnaissance corps. Without something unique like a guide to add to my application, I didn’t stand much of a chance of acceptance. My examination scores fell right in the middle of average. And if I didn’t get in, my grandfather would make sure I was assigned to one of the officer academies. I knew that would only lead to a spectacular failure. I’d make an even worse officer than my father.

Piper’s voice caught my attention. “Quinn, I thought we were going to talk to Mom.”

“You can speak to someone on the space station from your own home?” Mira drew close to the comm unit and put out her hand like she wanted to touch it.

“Yes, everyone has one of these,” I said.

“Haven’t you seen the ones inside the depot?” Piper asked.

“Fosaanians aren’t allowed inside unless they work there,” Mira said.

I hadn’t realized that. I just assumed the Fosaanians preferred to keep to themselves. “Why not? It’s nothing special.”

“It’s a rule. Are these hard to work?” Mira’s hand still hovered over the touchpad. “My uncle and my cousin operate the one at the depot, and they say you can get information from everywhere in the galaxy, and pictures of other places. My cousin told me he’s seen images of other planets, and they have giant buildings on them.” She said it like she didn’t really believe it.

“Sure, tall buildings are everywhere.” I wasn’t interested in ordinary buildings, but if she was and it got her to stay, I’d show her as many as she wanted. “We’ll look at some once I talk to my mother.”

I was about to speak the code to call up the Comm Center at the station when a voice said, “Incoming message. Secure channel. Turing Seven. Response.”

“That’s Grandfather!” Piper squealed.

I restrained myself from groaning. My grandfather was the last person in the galaxy I wanted to speak to. “Not good timing,” I said, turning to Mira. “I’m sorry, but it would be good if you go in the kitchen while we’re talking to my grandfather. I don’t want to have to explain to him what you’re doing here.”

She didn’t question me, which surprised me, though at the same time I was happy I didn’t have to go into more detail. My grandfather did not like to be kept waiting. I spoke the response. “Turing Five.”

My grandfather’s attachΓ© appeared on the slip, a woman who Piper called Lieutenant Bark because every word the woman spoke came out short and abrupt. “Hold a moment for Admiral Neen,” the woman said.

It didn’t take a moment. Almost instantly the grim, lined face of my grandfather filled the display. I knew everyone remarked on how much I looked like the man, down to the dark brown eyes that were nearly black, the sharp lines of our faces, and the set of our jaws, but I hoped I never grew to look so rigid. In a dress uniform, the dark green sheen of it rippling in the sterile light of his office, the man would have projected authority even if you didn’t know he was head of the Konsilan.

“Good day, Quinn.”

“Good day, Sir.” I instinctively sat up straighter. I’d learned long ago not to slouch in view of my grandfather.

“Hi Grandpa!” Piper pushed in besides me on the chair.

“Hello, Miss Piper.” A smile appeared on the stone face, something rarely seen. “How’s my girl?”

“Good! When are you coming to visit?”

I hoped he’d say “Never.” The last argument between my father and grandfather had been so terrible, I couldn’t imagine them meeting again.

“I’m not sure.” The admiral turned and said something to the attachΓ© and then turned back. “I’m sorry, Piper, but I don’t have much time and I need to talk to your brother.”

“Okay,” she said, sliding off the chair. I heard her move to the kitchen and begin chattering again to Mira. “That’s a pretty necklace! Can you show me how to make one like it?” I didn’t hear Mira’s reply and I tried to block out their voices so my grandfather wouldn’t comment on my lack of focus, an almost criminal offense to him.

The frown had reappeared on his face. “Quinn, I understand you haven’t yet submitted your application for any of the officer academies. The deadline is coming up.”

“I know, Sir. I…uh…wanted to speak with you about that.” I felt sweat running down my back and wondered why the room had suddenly gotten so hot. I tried to think of how I had practiced my speech to my grandfather, but instead all I could see in my head was the sweep of wall in the man’s office that contained image after image of Neen ancestors in all their military glory.

My grandfather raised an eyebrow. “Go ahead.”

I reminded myself that it was my future at stake, not my grandfather’s. “I…” Before I could say anything else, the slip went blank. “That’s weird,” I said.

“What’s weird?” Piper came back in the room.

“We lost contact with Grandfather.”

I spoke the code to call up the Comm Center. The display flickered, then the familiar logo of the station came up, the words Advanced Artificial Intelligence Research Center emblazoned across a rotating triple torus. I waited for the next slip. Someone on first or second shift communications should appear.

Instead, a voice said, “Due to technical difficulties, AAIRC is not available at this time.” The slip went clear.



Dee Garretson writes for many different age groups, from chapter books to middle grade to young adult to adult fiction. She lives in Ohio with her family, and in true writer fashion, has cat companions who oversee her daily word count. When she’s not writing, she loves to travel, watch old movies, and attempt various kinds of drawing, painting and other artistic pursuits.






a Rafflecopter giveaway

Sunday, October 30, 2016

Month9Books Halloween Spooktacular!




Hello and Happy Halloween Everyone! We here at Month9Books love Halloween so we decided to share some of our favorite Halloween or scary books and not just feature them but give them away!

The Undertakers Series by Ty Drago! We love Zombies and we know you will too!







Two And Twenty Dark Tales & Very Superstitious these 2 anthologies are perfect to scare you on Halloween!





Into The Dark & Into The Light by Caroline Patti body swapping can be freaky as heck!





Lucas Mackenzie and the London Midnight Ghost Show and Mc’Graves Hotel by Steve Bryant full of ghosts and creatures perfect for the middle grade crowd!






The Requiem Red by Brynn Chapman. A historical fantasy set in an insane asylum is the ultimate read on Halloween!



Hair in All The Wrong Places by Andrew Buckley for all the werewolf lovers in your life :)



Minotaur by Phillip W. Simpson what is more scary that being inside a creature’s lair? Hearing the story from his POV for sure!



Giveaway Details:
1 Winner will receive a Middle Grade Pack with all the Undertakers Books, Lucas Mackenzie and the London Midnight Ghost Show and Mc’Graves Hotel, & Hair in All The Wrong Places, US Only.

1 Winner will receive a YA pack with Two And Twenty Dark Tales & Very Superstitious, Into The Dark & Into The Light, The Requiem Red, & Minotaur, US Only.



3 Winners will receive an eBook pack of all the books featured, International.


a Rafflecopter giveaway

Tuesday, October 25, 2016

I'm Not Your Manic Pixie Dream Girl Blog Tour + Giveaway!


Good morning! I am so excited to be a part of the blog tour for Gretchen McNeil's newest book, I'm Not Your Manic Pixie Dream Girl! This book is really fantastic, and I've got an excerpt for you to read so you can get just as hooked! There's also a giveaway, so be sure to enter to win your very own copy at the end of this post. Also, don't forget to hit all the other stops in the tour to not miss out on the release fun!

About the Book


I'm Not Your Manic Pixie Dream Girl by Gretchen McNeil
Amazon | Book Depository | Barns & Noble | Harper Teen | Books.A.Millon | Goodreads
From acclaimed author Gretchen McNeil comes her first realistic contemporary romance—perfect for fans of Kody Keplinger’s The Duff and Morgan Matson’s Since You've Been Gone.

Beatrice Maria Estrella Giovannini has life all figured out. She's starting senior year at the top of her class, she’s a shoo-in for a scholarship to M.I.T., and she’s got a new boyfriend she’s crazy about. The only problem: All through high school Bea and her best friends Spencer and Gabe have been the targets of horrific bullying.

So Bea uses her math skills to come up with The Formula, a 100% mathematically guaranteed path to social happiness in high school. Now Gabe is on his way to becoming Student Body President, and Spencer is finally getting his art noticed. But when her boyfriend Jesse dumps her for Toile, the quirky new girl at school, Bea realizes it's time to use The Formula for herself. She'll be reinvented as the eccentric and lovable Trixie—a quintessential manic pixie dream girl—in order to win Jesse back and beat new-girl Toile at her own game.

Unfortunately, being a manic pixie dream girl isn't all it's cracked up to be, and “Trixie” is causing unexpected consequences for her friends. As The Formula begins to break down, can Bea find a way to reclaim her true identity and fix everything she's messed up? Or will the casualties of her manic pixie experiment go far deeper than she could possibly imagine.

Gretchen McNeil is an opera singer, a writer, and a clown. She is also the author of Get Even as well as Ten, which was a 2013 YALSA Top Ten Quick Pick for Reluctant Young Adult Readers, a Romantic Times Top Pick, and an ALA Booklist Top Ten Horror Fiction for Youth and was nominated for Best Young Adult Contemporary Novel of 2012 by Romantic Times. Gretchen blogs with the Enchanted Inkpot and is a founding member of the vlog group the YARebels.

Meet the Author


Website | Twitter | Facebook | Goodreads | YouTube | Instagram 

Gretchen McNeil is an opera singer, writer and clown. Her YA horror POSSESS about a teen exorcist debuted with Balzer + Bray for HarperCollins in 2011. Gretchen’s follow up TEN – YA horror/suspense about ten teens trapped on a remote island with a serial killer – was a 2013 YALSA Top Ten Quick Pick for Reluctant Young Adult Readers, a Romantic Times Top Pick, a Booklist Top Ten Horror Fiction for Youth, a finalist for Washington state’s 2015 Evergreen Young Adult Book Award and Vermont’s 2014-2015 Green Mountain Book Award, and was nominated for “Best Young Adult Contemporary Novel of 2012″ by Romantic Times. In 2013, she released 3:59, a sci-fi doppelganger horror about two girls who are the same girl in parallel dimensions who decide to switch places.

In 2014, Gretchen debuted her first series, Don’t Get Mad (pitched as “John Hughes with a body count”) also with Balzer + Bray. GET EVEN and GET DIRTY follow four very different girls who form a secret society where they get revenge on bullies and mean girls at their elite prep school.

Gretchen published two novels with HarperCollins in 2016: RELIC, a horror novel about a group of teens who, while exploring an old mine, accidentally unleash a creature who is hunting them down and cannibalizing their bodies; and I’M NOT YOUR MANIC PIXIE DREAM GIRL, a YA contemporary novel about a math-minded control freak who loses her boyfriend to the quirky new girl in school and sets out to reinvent herself as a classic manic pixie dream girl in order to win him back.

Gretchen’s novels have been optioned by Hollywood production companies, and have sold internationally in Chinese, Spanish, Turkish, and Czech. In addition to her novels, Gretchen has contributed an essay to the Dear Teen Me anthology from Zest Books.

Gretchen is a former coloratura soprano, the voice of Mary on G4’s Code Monkeys and she sings with the LA-based circus troupe Cirque Berzerk. She is repped by Ginger Clark of Curtis Brown, Ltd.

Excerpt


Below is an excerpt from I'm Not Your Manic Pixie Dream Girl! I think this book sounds so cute and fun, and I think that after reading the excerpt you'll agree with me.


Above us, the glass-and-chrome facade of Fullerton Hills gleamed in the bright Southern California sunshine, its sleek, modern construction and green manicured lawns seemingly out of place on the parched hillside. The city had spent a small fortune on the newest high school in the district, and to me, it was a perfect analogy to the student body: all flashy, expensive exteriors with very little substance once you got inside.

But there had to be a way to combat the bullshit we faced every day at school. I took Jesse’s hand. Maybe he was right. Strength and confidence, those were the keys to success. Maybe if we just acted like weren’t intimidated, people would leave us alone? It was worth a shot. I pulled open the double doors and strode purposefully into the foyer, head high, unafraid. Spencer and Gabe hesitated.

“Come on, guys,” I said, trying to rally the troops. “According to Dr. Mannheim’s treatise ‘On Mathematics and Human Behavior,’ as long as we don’t act like prey, we have a sixty-two percent chance of being left alone by the predators.”

Gabe pursed his lips. “Right, because that’s totally how it works in the Serengeti.”

I elbowed him. “Stay positive.”

“I agree with Bea,” Jesse said.

“You would,” Spencer mumbled.

Gabe cleared his throat, then started to sing, “‘Where can I find a woman like that?’”

Spencer’s jaw clenched as he glared at Gabe.

“What song is that?” I asked.

“Never you mind.” Then Gabe backed down the hallway toward his homeroom, blowing us a kiss as he went. “Hello, Fullerton Hills!” he cried out, arms flung wide. “I’m here to give you a big hug.” A gaggle of girls scurried by and he pointed right at them. “You heard me. Hugs for all!” Then he half tackled them, their shrieks of laughter pinging off the highly polished tile floors.

Well, at least he was taking my advice to heart.

Spencer, Jesse, and I were in the same homeroom, so after quick stops at our lockers, we hurried upstairs to the freshmen English classroom—the same one in which I’d met Spencer years ago. We were halfway down the hall when a group of short, scrawny guys barreled toward us. One of them shouldered Spencer’s forearm so hard his book bag went flying onto the ground.

“Watch where you’re going, loser,” the jerk said, smiling at his buddies for approval.

Instead of getting angry (Spencer never got angry), he ignored them and calmly retrieved his bag. But whether it was because Jesse was with us or because I was relatively sure the perpetrator was a sophomore with absolutely no social standing of his own (or a 78 percent chance that it was both), something inside me snapped.

“You know,” I said, standing my wheelie bag on its legs and approaching the group with arms folded across my chest. “I feel sorry for you.”

“Aww, Math Girl feels sorry for me?”

I nodded. “Absolutely. Because based on the remedial level of the textbooks you’re carrying and your obvious lack of adequate adult role models as exhibited by your behavior, I estimate you have an eighty-five percent chance of living with your parents until you’re forty. So have fun with that.”

And before he could answer, I spun around, caught the handle of my bag, and strode resolutely into homeroom.

Jesse slipped his arm around my waist. “That was pretty cool.”

“Thanks.” I blushed as we snagged desks on the far side by the windows, exactly ninety three seconds before the final bell.

-----------------------------------------------------------------------

Excerpted from I'M NOT YOUR MANIC PIXIE DREAM GIRL © Copyright 2016 by Gretchen McNeil. Reprinted with permission. All rights reserved.


Giveaway!


Would you like to win a copy of I'm Not Your Manic Pixie Dream Girl? If so you're in luck, there is a giveaway going on for U.S. residents. All you have to do is answer this question:

Who is your favorite “Manic Pixie Dream Girl” character from a movie or book, and why?

You can answer in the comments below, and weigh in on the conversation on social media with #ImNotYourManicPixieDreamGirl and #GretchenMcNeil. I really hope you do because this book sounds like one you're not going to want to miss. 


Painting Naked Book Covers!


Now I know what you're thinking, "HOW CAN SOMEONE ACTUALLY PAINT A BOOK!?!?!?!?" But I'm here to tell you that everything actually turned out well, better even because I'm satisfied with the end result. 

I was scrolling through my Instagram feed one day and saw this beautifully painted copy of ACOMAF by Stephanie from @pink_lemonade_reads


After seeing that amazing paint job I was like, "Yeah, that's pretty bad ass and ballsy. Wouldn't it be cool if I did that." I then started to form an idea of painting a galaxy on book. Why an galaxy? Because I've painted a lot of galaxies in my time, and it just looks so cool! Now, I have had plenty of background and routine practice with the medium. But I was still hesitant, I didn't want to ruin a perfectly good book if I messed up or something. So I held back, thinking that this idea would eventually fade into nothingness in the back of my mind. 

But then Lauren from @fictiontea happened...


So, I did a thing. I painted my 'Throne of Glass' books. This action was completely inspired by @pink_lemonade_reads who recently drew some incredible art on her copy of ACOMAF. I watched Stephanie's youtube video where she talks about doing art on her books and ultimately thats what convinced me. In her video she said the thought of drawing on your book was terrifying. But, then she mentioned that this is your personal copy, why not fill it with personal things? Draw some art that you love on it? Make this your copy of the book, not only personal, but the only edition of it to exist. I thought that was an awesome way to look at it. I decided, what the hell! I've been a fan of the 'Throne of Glass' series since the first book was released, so I wanted to paint something that symbolised each book on its cover. Assassin's Blade: A masquerade mask and swords. The masquerade mask represents Celaena meeting Chaol and Dorian at the masquerade party and not knowing it. And the two swords represent Celaena and Sam. Throne of Glass: The Stag from the amulet of Orynth. Crown of Midnight: The Eye of Elena, from the necklace. Heir of Fire: A Hawk to represent Rowan's entrance into the story (because this is the only book I really love him in, sorry guys. He's okay in the others, thats just my opinion). Queen of Shadows: The Wyrdmarks. Empire of Storms: Goldryn the sword. I was utterly terrified about painting on the books, but I quickly became comfortable with it and Stephanie ( @pink_lemonade_reads ) is telling the truth when she says that its such a bizarre, freeing feeling. I will definitely add more to these in the future, but for now, this will do. And I'll definitely do this to other books too. Its so much fun! If I ever want to see the books in pristine condition again? I can go to a bookstore! Funny story, my mum thought these designs were printed on the covers till she felt the paint. Good sign, right? • If you get a chance, go check out @pink_lemonade_reads! Her art is gorgeous and she is an absolutely lovely and wonderful person. • So, would you guys ever do this to your books? Or do any of you guys already do it? Annotating your books counts!
A photo posted by Lauren (@fictiontea) on

And after seeing this I decided to go "balls to the wall" mode, and just do it. I couldn't help that nagging idea, and how cool it would be if I pulled it off. So, it was decided. I was going to paint a galaxy on a book. But then I ran into the problem of which book series I was going to paint. Well, it would odiously have to be a sci-fi series, because painting a galaxy on a high fantasy novel is just weird. And I had to have ALL the books in the series in hardbacks for their naked covers. And literally the only series that matched these standards was Melissa Lander's sci-fi adventure Alienated series. The only snag, I own all the first editions, and they have all been signed and personalized. So, painting this series was a risk. If I ruined these books, I would die. Literally die. But since I was in "balls to the wall" mode, that didn't matter to me. I was just wanting to paint and rock it. So one painted cover turned to two, and two to three. And before I knew it, I had a full custom painted  and signed/personalized book series.


They turned out so much better then I could have ever imagined! I love them! And the amazing thing is Melissa did too!


And she is right. I did paint them in theme with how the two main characters, Aelyx and Cara, and how their relationship grew throughout each book. 


On Alienated I painted both Cara and Aleyx perpetrated, because starting out they both weren't the biggest fans of each other. 


On Invaded I painted them both holding hand, because they were both separated but, still were falling hard for one another, and by the end of this one they did.


And finally, on United I painted them both in love. 

And it was awesome to get so much positive feedback from all of you . . . so thank you!



I highly recommend that more people hop on this trend, but maybe not as hard core as I did with the whole signed copies thing. This was one of my favorite projects I've ever done. If you don't feel comfortable with your painting skills, but would like to do this too, I recommend practicing on paper or canvas before putting any paint on a cover. Remember, don't do it unless you are one hundred percent sure you can rely on your abilities to get it done. I have faith in those who try, because I did it and couldn't be happier. I wish you all luck on your creations! And if you aren't comfortable with the painting medium, you could always draw on the covers and put a clear coat on the top of you drawings; there's an idea. Maybe I'll try that next?

Click these links to learn more about Melissa Lander's Alienated series.

Click here to see my review on Invaded, the second book in the series!